* Ikkyō- (first technique) a control using one hand on the elbow and one on near the wrist which leverages uke to the ground. This grip also applies pressure into the ulnar nerve on the medial side of the arm.
* Nikyō- (second technique) an adductive wristlock that torques the arm and applies painful nerve pressure.
* Sankyō- (third technique) a pronating technique that directs upward-spiraling tension throughout the arm, elbow and shoulder.
* Yonkyō- (fourth technique) a shoulder control similar to ikkyō (see illustration), but with both hands gripping the forearm. The knuckles (from the palm side) are applied to the recipient's radial nerve against the periosteum of the forearm bone.
* Gokyō- (fifth technique) a variant of ikkyō in which the hand gripping the wrist is inverted. Common in tanto and other weapon take-aways.
* Shihōnage- (four-direction throw) The hand is folded back past the shoulder, locking the shoulder joint.
* Kotegaeshi- (wrist return) a supinating wristlock-throw that stretches the extensor digitorum.
* Kokyūnage- (breath throw) a term for various types of flowing "timing throws".
* Iriminage- (entering-body throw) throws in which nage moves through the space occupied by uke. The classic form superficially resembles a "clothesline" technique.
* Tenchinage- (heaven-and-earth throw) From uke grabbing both wrists of nage. Moving forward, nage sweeps one hand low ("earth") and the other high ("heaven"), which unbalances uke so that he or she easily topples over.
* Koshinage- (hip throw) aikido's version of the hip throw. Nage drops his or her hips lower than those of uke, then flips uke over the resultant fulcrum.
* Jūjinage- (shaped-like-'ten'-throw) a throw that locks the arms against each other. (The kanji for "10" is a cross-shape.)
* Kaitennage- (rotation throw) nage sweeps the arm back until it locks the shoulder joint, then uses forward pressure to throw.
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